{"id":2378,"date":"2002-09-15T18:10:48","date_gmt":"2002-09-15T22:10:48","guid":{"rendered":"https:\/\/engineering.jhu.edu\/magazine-archive\/?p=2378"},"modified":"2014-12-15T18:11:25","modified_gmt":"2014-12-15T23:11:25","slug":"engineering-electrifies-art","status":"publish","type":"post","link":"https:\/\/engineering.jhu.edu\/magazine-archive\/2002\/09\/engineering-electrifies-art\/","title":{"rendered":"Engineering Electrifies Art"},"content":{"rendered":"<p><em>In the wired worldview of Wesley Smith \u201902, the scientific method becomes the first step toward artistic expression.<\/em><\/p>\n<figure id=\"attachment_2379\" class=\"wp-caption alignright\" style=\"width: 218px\"><a href=\"https:\/\/engineering.jhu.edu\/magazine-archive\/wp-content\/uploads\/2014\/08\/18_19-1002.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2379\" src=\"https:\/\/engineering.jhu.edu\/magazine-archive\/wp-content\/uploads\/2014\/08\/18_19-1002.jpg\" alt=\"After building controlled environments, Wesley Smith \u201902 used a large format camera to capture his ideas on film.\" width=\"208\" height=\"275\" \/><\/a><figcaption class=\"wp-caption-text\"><strong>After building controlled environments, Wesley Smith \u201902 used a large format camera to capture his ideas on film.<\/strong><\/figcaption><\/figure>\n<p>Wesley Smith \u201902 creates the circuits to connect art and engineering; he\u2019s drawn more to the similarities between the disciplines than to their differences. The Dallas, Texas, native double-majored in electrical engineering and French. He received the John Boswell Whitehead Award for outstanding achievement in electrical engineering and was one of two Hopkins seniors to share the 2002 Louis Sudler Prize in the Arts, honoring his photography. His work garnered a $1,500 prize.<\/p>\n<p>\u201cI\u2019m interested in the encroachment of perception through technological devices,\u201d Smith says. Most people see the Internet is a tool for speeding and improving communications, but it can be more than that, he says, pointing to a perfect example he has seen: an installation that used the Internet to \u201ctransmit seismic waves from one place in the world to another.\u201d The seismic wave signals were processed as audio signals and fed through big speakers and subwoofers \u201cso that as a seismic event occurred in one part of the world, it could be experienced in another.<\/p>\n<p>\u201cFor years, people have been using technology to influence art,\u201d Smith continues. Now, he believes, there is an opportunity for the technologically minded to use art to transform how we use technology. This is one reason why he is now pursuing a master\u2019s in fine art at the Maryland Institute, College of Art (MICA) in Baltimore. While at Hopkins, he took a semester off to study photography in Paris at the \u00c9cole Nationale Sup\u00e9riere des Arts D\u00e9coratifs, one of the most prominent French schools for studio arts; he found the works of Man Ray especially inspiring.<\/p>\n<p>\u201cI\u2019ve always been doing things with art,\u201d Smith observes, \u201cand I\u2019ve also always liked electrical engineering.\u201d The more he thought about the possibilities of artistic expression, the more his interest in electrical engineering was piqued. As his artistic explorations incorporated more and more \u201ctime-based elements,\u201d he began experimenting with electronic sensors. Using sensors, he explains, makes it possible to use \u201ccertain situations or actions to trigger events.\u201d<\/p>\n<p>Smith admits that it sometimes could be tough as a student of electrical engineering to keep focused on his art. During his junior year, he took an interdisciplinary course offered jointly though Hopkins, the Peabody Institute, and MICA. Called Intermedia Studio, the course provided the rare opportunity to collaborate with creative thinkers working across a wide range of disciplines. The idea of Intermedia Studio is to bring together \u201cmusicians from Peabody, visual artists from MICA, and engineers from the Whiting School\u201d to create works that use technology in new forms of expression. During the show that capped the class experience, Smith unveiled a piece using \u201csensors that emit infrared signals to create a sound and visual \u2018landscape\u2019 for a room.\u201d<\/p>\n<p>For his senior design piece, Smith created an installation that employed sensors connected to sound-generating devices. As an individual moved through the space, the sensors picked up the movement and \u201creacted to the movement with an auditory response.\u201d Each person thus \u201ccreated\u201d a different auditory experience; in effect, each event was a unique work of art. Some might consider this kind of art \u201cinteractive,\u201d but that is a word Smith uses rarely, and only with caution. \u201cYou have to be careful with interaction,\u201d he insists, as if to distance himself from any attempt to make art that depends upon the participation of the viewer. \u201cI like using data from the real world. I try to make it possible to experience something that is not natural to the human being.\u201d<\/p>\n<p>Smith seems intent on bridging the gap between art and engineering, even in his approach to art projects. \u201cThe way I work is to pose a question using the scientific method,\u201d he says, \u201cand then look for an artistic way to solve it.\u201d This leads to some interesting results. His senior exam show, for example, began an attempt to \u201cexpress a perception of space, how that relates to a person\u2019s body, and how it changes in response to different modes.\u201d It\u2019s all about the intersection between self and other\u2014a very artistic question\u2014mediated by technology.<\/p>\n<p>Exploring the boundaries of engineering and art represents a challenging career path for a newly graduated engineer. But Smith is determined. At MICA, he is completing the coursework to make the leap from electrical engineering to fine art. \u201cI\u2019m taking a class on audio for installation pieces,\u201d he says. He plans to use the experience to \u201ccontinue the exploration of how art can illuminate lives dominated in so many ways by technology. Art serves as a pathway to understanding how to use technology for our benefit,\u201d the ingenious artist notes. \u201cI want to try to do this as a career. I\u2019m not sure how, but things tend to work out when you keep focused on your goals.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In the wired worldview of Wesley Smith \u201902, the scientific method becomes the first step toward artistic expression. Wesley Smith \u201902 creates the circuits to connect art and engineering; he\u2019s drawn more to the similarities between the disciplines than to their differences. The Dallas, Texas, native double-majored in electrical engineering and French. He received the&#8230;<\/p>\n","protected":false},"author":4,"featured_media":2379,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[77],"tags":[],"class_list":["post-2378","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-making-waves","issue-fall-2002"],"acf":[],"yoast_head":"<!-- This site is optimized with the Yoast SEO plugin v27.7 - https:\/\/yoast.com\/product\/yoast-seo-wordpress\/ -->\n<title>Engineering Electrifies Art  - JHU Engineering Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/engineering.jhu.edu\/magazine-archive\/2002\/09\/engineering-electrifies-art\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Engineering Electrifies Art  - JHU Engineering Magazine\" \/>\n<meta property=\"og:description\" content=\"In the wired worldview of Wesley Smith \u201902, the scientific method becomes the first step toward artistic expression. 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