{"id":12535,"date":"2019-05-10T11:56:28","date_gmt":"2019-05-10T15:56:28","guid":{"rendered":"https:\/\/engineering.jhu.edu\/magazine-archive\/?p=12535"},"modified":"2019-05-28T14:00:13","modified_gmt":"2019-05-28T18:00:13","slug":"extreme-creativity","status":"publish","type":"post","link":"https:\/\/engineering.jhu.edu\/magazine-archive\/2019\/05\/extreme-creativity\/","title":{"rendered":"Extreme Creativity"},"content":{"rendered":"

Shortly after the 2012 launch of the Hopkins Extreme Materials Institute<\/a>, founder and director K.T. Ramesh<\/a> noticed a growing issue: \u201cWe were having trouble communicating our results,\u201d he says. The solution, he realized, could be found in a discipline uniquely suited to communicating the abstract: art.<\/p>\n

So Ramesh reached out to the Maryland Institute College of Art<\/a> to create the HEMI\/MICA Artist-in-Residence program<\/a> and an internship program for MICA faculty members and students. The partnership also includes an undergraduate course that culminates in a student exhibition at MICA.<\/p>\n

\u201cThe idea is to bring in people who talk and think completely different from us,\u201d Ramesh says of the residency, which gives MICA artists access to work in a HEMI lab of their choosing for a year (or a summer, for student interns) to share their perspectives and experiences and create a culminating body of work.<\/p>\n

\n

Jay Gould<\/h2>\n

Inaugural HEMI\/MICA Extreme Arts Program
\nArtist-in-Residence, 2016\u201317
\nMICA Faculty, Photography<\/p>\n

 <\/p>\n

Dividing Time<\/strong><\/h3>\n

Accordion book<\/em><\/p>\n

\"Dividing
Jay Gould \/ Dividing Time (Accordion book)<\/figcaption><\/figure>\n

What does the fraction of a fraction of a second look like? Or, as Jay Gould<\/a>, a member of MICA\u2019s photography faculty puts it: How do you embrace the absurd? To test the dynamic stress-strain response of materials, Ramesh\u2019s HEMI lab uses an apparatus known as a Kolsky bar and a high-speed camera, capable of recording 7 million frames per second, to quickly break materials into minute time scales.<\/p>\n

The process, equipment, and resulting computer images inspired Gould to create Dividing Time<\/em>, which Gould describes as a \u201clarger-than-life tribute to 36 microseconds.\u201d The 180-page accordion book narrates an unfathomable time scale, unfolding into exact, sequential photos from the rapid compression of a 2-millimeter piece of magnesium. Like a slow-motion flip book, the pages morph from white images speckled with gray into grainy cross-hatchings filling the margins. When stretched to its full length, it reaches 90 feet.<\/p>\n

 <\/p>\n

Bolides: Extinction<\/strong><\/h3>\n
\"Bolides:
Jay Gould \/ Bolides: Extinction (Print)<\/figcaption><\/figure>\n

Bolides: Extinction<\/em> is another of Gould\u2019s HEMI-inspired works. This 40-inch by 60-inch print is his interpretation of meteorites burning up in Earth\u2019s atmosphere. \u201cI saw a NASA map of bolides [the light emitted by a large meteor as it explodes in the atmosphere] and wanted to depict a meteorite landing in the middle of the continental U.S.,\u201d he explains. \u201cHEMI is all about defense, and my photo is the ultimate defense\u2014but the sci-fi, most exaggerated version.\u201d Using a rock from Ramesh\u2019s lab, Gould pushed it into a heated a sheet of acrylic. Photographing it against a map gave him the ability to dramatically play with scale.<\/p>\n

The results stunned Ramesh and his team. \u201cThey gasped when I showed it for the first time,\u201d says Gould, who continues to make asteroid-inspired art. \u201cA lot of artists are really interested in science. To have my students see me collaborating with research labs gives them the freedom to embrace collaborations.\u201d<\/p>\n

\n

Kim Hall<\/h2>\n

HEMI\/MICA Extreme Arts Program
\nArtist-in-Residence, 2017\u201318
\nMICA Faculty, Illustration Practice MFA
\nOwner, Nottene Studio<\/p>\n

 <\/p>\n

The Curse of Dimensionality<\/strong><\/h3>\n

Digitally printed wallpaper and hand-screened curtains<\/em><\/p>\n

\"Digitally
Kim Hall \/ The Curse of Dimensionality (Digitally printed wallpaper)<\/figcaption><\/figure>\n

\"Kim\u201cI\u2019m interested in how small differences can be huge when you try to quantify them,\u201d explains Kim Hall<\/a>, who teaches illustration at MICA and who connected immediately with work taking place in the lab of HEMI associate director and chair of the Department of Civil Engineering, Lori Graham-Brady<\/a>. Hall visited the lab each week and sketched while Graham-Brady\u2019s team wrestled with the theoretical complexities of creating multiscale computer modeling of materials with random microstructures.<\/p>\n

\u201cThey are trying to figure out things, but the real world complicates it,\u201d Hall explains. \u201cI work with patterns that look at the real world as well.\u201d Hall\u2019s HEMI residency inspired The Curse of Dimensionality<\/em>. The piece comprises digitally printed curtains with overlapping designs of the Homewood campus\u2019 architecture, as well as digitally printed wallpaper emblazoned with the same Homewood images but interspersed with intellectual \u201cinteriors\u201d she experienced during her residency. The interiors included phrases heard in Graham-Brady\u2019s lab and the artist\u2019s spontaneous drawings of equipment, smartphones, and quick sketches of the engineers themselves.<\/p>\n

\"DigitallyHall\u2019s exhibition at the Milton S. Eisenhower Library last spring included a materials-inspired interactive component of finished wallpaper that she coated with a white scratch-off paint. During the show\u2019s six-week run, viewers etched their own words, drawings, and symbols into the piece, which Hall says created a deeper connection to her artistic interpretation for viewer, artist, and the engineers with whom she worked.<\/p>\n

\u201cKim was intrigued by the question of how one might infer important characteristics of a system (such as a material) from only limited information,\u201d Graham-Brady explains of the scratch-off wallpaper. \u201cThis is at the heart of what we do in field of uncertainty quantification. We try to take the small amounts of available data to draw meaningful conclusions about how well one can predict the behavior of the problem of interest.\u201d<\/p>\n

\n

Amy Wetsch<\/h2>\n

HEMI\/MICA Extreme Arts Program
\nStudent Intern, Summer 2018
\nMFA \u201919, Mount Royal Multidisciplinary Arts Program, MICA<\/p>\n

 <\/p>\n

Through the Veil<\/strong><\/h3>\n

Mixed media sculpture<\/em><\/p>\n

\"Through
Amy Wetsch \/ Through the Veil (Mixed media sculpture)<\/figcaption><\/figure>\n

Amy Wetsch<\/a>, an MFA student at MICA, was sure the perfect subject for her HEMI\/MICA summer internship would relate to medical research. After all, her artistic focus was on the mysteries of the human body and nature. Then Titan, Saturn\u2019s largest moon, changed her direction.<\/p>\n

After talking with Sarah H\u00f6rst<\/a>, a HEMI fellow and assistant professor in the Krieger School of Arts and Sciences\u2019 Department of Earth and Planetary Sciences, about her lab\u2019s research on Titan, Wetsch began sketching. Her residency culminated with Lateral Distance<\/em>, a 10-piece exhibition of drawings and massive sculptural installations meant to immerse viewers in her vision of Titan, that was on display at Baltimore\u2019s Bromo Seltzer Arts Tower last winter.<\/p>\n

One of the pieces in the exhibit, Through the Veil<\/em>, imagines what\u2019s behind Titan\u2019s dense, orange atmospheric haze, composed of complex organics that fall to the moon\u2019s surface. Wetsch crinkled thousands of sheets of iridescent window film into balls to create haze particles that surround the dome that is Wetsch\u2019s imagined essence of Titan. She created the dome\u2019s interior by mixing materials including glue, glycerin, glass, walnut shells, wood, and recycled sand from wind tunnel experiments. To recreate Titan\u2019s rivers of swirling methane and ethane, Wetsch added salt to the mixture, which reacted to the glue to create organic shapes.<\/p>\n

Her goal was simple: \u201cWhen people stand under the dome, I want them to feel the wonder a child has looking up at the night sky.\u201d<\/p>\n

 <\/p>\n

Plume<\/strong><\/h3>\n

Mixed media sculpture<\/em><\/p>\n

\"Plume\"
Amy Wetsch \/ Plume (Mixed media sculpture)<\/figcaption><\/figure>\n

With Plume<\/em>, Wetsch\u2019s sculptural interpretation of a mission to Titan, Wetsch explored the \u201carchaeology\u201d of H\u00f6rst\u2019s lab via \u201cartifacts\u201d\u2014discarded copper gaskets that were used to seal gas mixtures in the lab\u2019s Planetary Haze Research Chamber. Wetsch filled the gaskets with a mixture of mixed iridescent film, glue, salts, wind tunnel sand, and pigments to create luminous swirling colors.<\/p>\n

\"Plume\"
Amy Wetsch \/ Plume (Mixed media sculpture)<\/figcaption><\/figure>\n

The sculpture\u2019s base sparkles blue and green, representing Earth, and as the rocket\u2019s trajectory rises, the colors transition to yellow and finally to orange, the color of Titan\u2019s signature haze. Each copper plate is connected by smaller copper rings, an engineering feat enabled by hands-on help from lab members.<\/p>\n

\u201cWatching scientists create experiments feels so similar to artists\u2019 problem-solving,\u201d Wetsch says. \u201cTo simulate atmosphere, the lab takes gases, puts them into a chamber, adjusts the temperature, and waits for a reaction. It\u2019s what I do when I combine materials and wait to see how they come together.\u201d<\/p>\n","protected":false},"excerpt":{"rendered":"

An unlikely collaboration between engineers and artists has yielded inspired creations in both fields.<\/p>\n","protected":false},"author":4,"featured_media":12560,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[28],"tags":[115,4383,4378,4373,4368,1999,808,804,800,796,788,156,120],"class_list":["post-12535","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-features","tag-lori-graham-brady","tag-sarah-horst","tag-department-of-earth-and-planetary-sciences","tag-amy-wetsch","tag-kim-hall","tag-k-t-ramesh","tag-hopkins-extreme-materials-institute","tag-hemi","tag-maryland-institute-college-of-art","tag-mica","tag-jay-gould","tag-department-of-mechanical-engineering","tag-department-of-civil-engineering","issue-spring-2019"],"acf":[],"yoast_head":"\nExtreme Creativity - JHU Engineering Magazine<\/title>\n<meta name=\"robots\" content=\"index, follow, max-snippet:-1, max-image-preview:large, max-video-preview:-1\" \/>\n<link rel=\"canonical\" href=\"https:\/\/engineering.jhu.edu\/magazine-archive\/2019\/05\/extreme-creativity\/\" \/>\n<meta property=\"og:locale\" content=\"en_US\" \/>\n<meta property=\"og:type\" content=\"article\" \/>\n<meta property=\"og:title\" content=\"Extreme Creativity - JHU Engineering Magazine\" \/>\n<meta property=\"og:description\" content=\"An unlikely collaboration between engineers and artists has yielded inspired creations in both fields.\" \/>\n<meta property=\"og:url\" content=\"https:\/\/engineering.jhu.edu\/magazine-archive\/2019\/05\/extreme-creativity\/\" \/>\n<meta property=\"og:site_name\" content=\"JHU Engineering Magazine\" \/>\n<meta property=\"article:published_time\" content=\"2019-05-10T15:56:28+00:00\" \/>\n<meta property=\"article:modified_time\" content=\"2019-05-28T18:00:13+00:00\" \/>\n<meta property=\"og:image\" content=\"https:\/\/engineering.jhu.edu\/magazine-archive\/wp-content\/uploads\/2019\/05\/Plume_Detail_Wetsch.jpg\" \/>\n\t<meta property=\"og:image:width\" content=\"1200\" \/>\n\t<meta property=\"og:image:height\" content=\"800\" \/>\n\t<meta property=\"og:image:type\" content=\"image\/jpeg\" \/>\n<meta name=\"author\" content=\"Abby Lattes\" \/>\n<meta name=\"twitter:card\" content=\"summary_large_image\" \/>\n<meta name=\"twitter:label1\" content=\"Written by\" \/>\n\t<meta name=\"twitter:data1\" content=\"Abby Lattes\" \/>\n\t<meta name=\"twitter:label2\" content=\"Est. reading time\" \/>\n\t<meta name=\"twitter:data2\" content=\"7 minutes\" \/>\n<script type=\"application\/ld+json\" class=\"yoast-schema-graph\">{\"@context\":\"https:\\\/\\\/schema.org\",\"@graph\":[{\"@type\":\"NewsArticle\",\"@id\":\"https:\\\/\\\/engineering.jhu.edu\\\/magazine-archive\\\/2019\\\/05\\\/extreme-creativity\\\/#article\",\"isPartOf\":{\"@id\":\"https:\\\/\\\/engineering.jhu.edu\\\/magazine-archive\\\/2019\\\/05\\\/extreme-creativity\\\/\"},\"author\":{\"name\":\"Abby Lattes\",\"@id\":\"https:\\\/\\\/engineering.jhu.edu\\\/magazine-archive\\\/#\\\/schema\\\/person\\\/0244393be370fbc3ead8ec26062e9742\"},\"headline\":\"Extreme Creativity\",\"datePublished\":\"2019-05-10T15:56:28+00:00\",\"dateModified\":\"2019-05-28T18:00:13+00:00\",\"mainEntityOfPage\":{\"@id\":\"https:\\\/\\\/engineering.jhu.edu\\\/magazine-archive\\\/2019\\\/05\\\/extreme-creativity\\\/\"},\"wordCount\":1337,\"commentCount\":0,\"image\":{\"@id\":\"https:\\\/\\\/engineering.jhu.edu\\\/magazine-archive\\\/2019\\\/05\\\/extreme-creativity\\\/#primaryimage\"},\"thumbnailUrl\":\"https:\\\/\\\/engineering.jhu.edu\\\/magazine-archive\\\/wp-content\\\/uploads\\\/2019\\\/05\\\/Plume_Detail_Wetsch.jpg\",\"keywords\":[\"Lori Graham-Brady\",\"Sarah H\u00f6rst\",\"Department of Earth and Planetary Sciences\",\"Amy Wetsch\",\"Kim Hall\",\"K.T. 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